摘要
在歌德的创作生涯中,《罗马哀歌》与《西东合集》标志着两次人生与美学上的突围与重生。这两套组诗都将异国他乡作为情欲想象的重要场所,从而建立起了空间、情爱与诗歌本身的密切关联。文章借鉴福柯的异托邦概念,分析诗人在两个诗歌文本中创造异托邦空间的方式,探究他赋予这些地理空间的象征意味,借此阐明作为文学现象的空间书写所包含的美学意义与研究价值。
In Goethe's oeuvre,both of his lyric cycles— "Roman Elegies"and"West-East Divan"—mark a breakthrough in his life and literary creation.The central combining point of the two is the creation of a foreign land as the site of erotic imaginations.By doing so,the space,desire and poetry are interlinked with each other.With Foucault's concept of heterotopies,this paper analyzes how these lyric texts engender such alternative spaces and what kind of poetological meanings are ascribed to them so as to offer a case study of spatial significations in literature.
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2017年第6期9-17,共9页
Journal of Tongji University:Social Science Edition
