摘要
德国浪漫主义作家路德维希·蒂克于1798年创作的五幕喜剧《颠倒的世界》是一部旨在研究戏剧演出本身的"元戏剧"。本剧因其三重嵌套的"戏中戏"结构,极大增强了作品的丰富性与张力,但同时也产生了极度的混乱与无序。演员、观众、编剧等集聚在舞台上,演员变成了观众,观众变成了演员,戏中有戏,戏中还有戏,蒂克以这样一种方式阐述了自己对当时戏剧演出的看法。
The five-act comedy The Topsy-Turvy World written by German romanticism writer Ludwig Tieck in 1798 is a"metadrama"aiming at studying theatrical performance. The triple-nested structure,also called"play within a play",highly enhanced the richness and tensely of the work,while produced a state of extreme confusion and disorder. Actors,spectators,screenwriters,etc. gathered on the stage. The actor becomes the audience,the audience becomes the actor,play within a play,the play also within a play,Tieck in such a way to explain the views of the drama at that time.
出处
《华北水利水电大学学报（社会科学版）》
2017年第6期136-140,共5页
Journal of North China University of Water Resources and Electric Power(Social Science Edition)
