摘要
空间这种形态是具有相对性质的,它是相对于人而言的,是客观存在的;同时空间的成型又依赖于各实体之间的围合或衔接,所以,空间也是具有绝对性质的。这种空间关系与中国的传统书画中的"黑""白",与正负关系等概念都相辅相成。本文以仙台媒体中心为例,论述了在建筑的室内空间功能划分的前提下,边界模糊性的形式和特点,说明了模糊性边界的灵活适用的重要性,并指出具有模糊功能边界的空间给予人们开敞和自由地态度,逐渐成为信息交流时代的发展目标。
The space is of relative nature,and it is objectively present for people.At the same time,the shape of space depends on the enclosure or cohesion of entities,so the space is also of absolute nature.Such a relationship is complementary with the concept of ＂black＂ and ＂white＂ in Chinese traditional calligraphy and painting and the concept of positive and negative relations.Taking the Sendai media center as an example and under the premise of interior space functional division,this paper discusses forms and characteristics of boundary ambiguity,illustrates the importance of the flexibility of fuzzy boundaries,and points out that the space with fuzzy functional boundary endows people with open and free attitude and it gradually becomes a development goal in information communication era.
出处
《家具与室内装饰》
2017年第11期72-73,共2页
Furniture & Interior Design
基金
国家自然科学基金项目(31400498)
关键词
空间边界
空间功能
模糊
仙台媒体中心
Spatial boundaries
Spatial functions
Fuzzy
Sendai Media Centre
