摘要
事件集中了文学伦理,因为事件作为叙述与被叙述之事的张力,是主体意识到视点相对性而走出大叙事的产物,它只在文学思想方法的运作中才实现,并由此因视点的受限及其在限制中的文学创造而必然触及伦理。晚近人文学术的事件性视野,不仅与文学伦理学批评的精神相通,而且被后者进一步激活与创造。视点的纵向受限层次与横向受限类型,都为此提供了可以结合丰富实例加以阐释的理据。沿此更可发现,"如何活才更好"的伦理选择,与"如何活才是人"的生存根据不再分离为两个问题,文学伦理学批评的前沿意义正是顺应了价值论与本体论的深刻现代联系。
Event focuses on literary ethics, because event, as the tension between narrauve anu things being narrated, is the product of the subject when it realizes its viewpoint＇s relativity and gets rid of meta-narrative. It can only be realized in the literary thought and method, and thus the limited viewpoint and literary creation under restrictions inevitably concern ethics. Therefore, the recent eventalization view of the humanities is not only connected with the spirit of Ethical Literary Criticism but also activated and created by the latter. Vertical limited levels and horizontal limited types together provide theoretical basis which can be explained by abundant examples. Thus, we can find that the ethical choice of ＂how to live better＂ and the basis of human existence of ＂how to live is a person＂ are not two problems separated from each other. The frontier significance of Ethical Literary Criticism thus conforms to the profound modem relationship of Axiology and Ontology.
作者
刘阳
Liu Yang(professor in the Department of Literature of East China Normal University Shanghai 200241, China）.)
出处
《外国文学研究》
CSSCI
北大核心
2017年第6期10-18,共9页
Foreign Literature Studies
基金
教育部人文社科项目“事件范式的深层文学机理研究”(17YJC751023)
中央高校基本科研业务费项目华东师范大学青年预研究项目“晚近‘后理论’的三重面相研究”(2017ECNU-YYJ014)~~
关键词
事件性
叙述
视点受限
语言符号
文学伦理学批评
eventalization
narrative
limited viewpoint
language symbol
Ecthical Literary Criticism
