摘要
少数民族传统节日是在民族历史及文化映照下的活化艺术形态,传统节日中的仪式和活动经过时间的积淀逐渐上升为群体共同的文化展演,进而构造出一种秩序化的社会关系,但节日中的集体狂欢实际上又是对单调乏味的日常生活的打破,体现出一种"反秩序"的特征。在节日外在的集体性狂欢背后承载的是独特的集体记忆,这种集体记忆在集体互动的氛围下得以深化。我们对民族传统节日的艺术审美不能脱离特定的社会文化环境,而社会系统观及发展观为我们提供了民族节日审美的价值尺度。
The traditional festival of ethnic minorities is a kind of art form activated by history and culture, the traditional festival ceremonies and activities gradually promoted to a group of common cultural performances as time goes on,then constructs a kind of an orderly social relations. But the carnival in the festival is actually a breakthrough in the monotony of everyday life. Behind the collective carnival of the festival, it is a unique collective memory, which can be deepened in the atmosphere of collective interaction. For the traditional ethnic festivals, the aesthetic cannot be divorced from the specific social and cultural environment, the social system and development concept provides us with the criterion of judging the aesthetic value of ethnic festivals.
出处
《贵州民族研究》
CSSCI
北大核心
2017年第11期135-138,共4页
Guizhou Ethnic Studies
基金
北京师范大学珠海分校2016年度"教学名师培养计划"项目的阶段性成果
关键词
少数民族
传统节日
艺术
审美
Ethnic minority, Traditional festival, Art, Aesthetic
