摘要
开展对武术与舞蹈同源发展、结合的探析,为我国武舞结合的艺术创编方式和艺术价值提供发展思路与理论依据。在首都体育学院2016巡演节目创编实践的基础上,结合体育院校艺术专业发展方向与特色,从舞蹈史、武术史视角,对舞蹈美学及舞蹈编导等进行理论探讨,采用对比、分析、归纳等研究方法,得出"武舞同源"是远古的命题,在当下武舞的发展过程中需要采用"虚实法""意境法""意蕴法"等方法进行创编,使武术与舞蹈在刚柔相济的艺术碰撞中达到力与美、动与静的和谐统一,实现更好的艺术表达,同时得出武舞结合具有其艺术的创新价值、审美价值、文化价值和传播价值的结论。
The present research sets to carry out effective development of martial arts and dance homologous development and combination, and provide the development ideas and theoretical basis for the art creation m ode and value of our martial arts combination. Based on the 2016 tour program creation practice of Capital University of Physical Education and Sports, combined with the professional development direction and the characteristic of art major in sports colleges, this paper makes analysis on the aesthetics of dance and dance theory from the perspective of the history of dance and martial arts through the research methods of contrast,analysis and induction. It is proposed that the ＂martial dance homology＂ is ancient in proposition. Martial dance should adopt the ＂implicit and explicit＂, ＂artistic conception＂, ＂implication＂ and other effective methods of creation in the development process, so that the martial arts and dance can strength and beauty, dynamic and static harmony in art collision in achieving better move among force and soft, artistic expression. At the same time, it can be concluded that the combination of Wushu and dance has its artistic innovation value, aesthetic value, cultural value and communication value.
出处
《首都体育学院学报》
CSSCI
北大核心
2017年第6期517-519,共3页
Journal of Capital University of Physical Education and Sports
关键词
舞蹈
武术
武舞
武舞同源
武舞结合
艺术价值
艺术创编
dance
martial arts
martial dance
martial dance homology
martial dance combination
artistic value
artistic creation
