摘要
碑派书法在民族危亡时以雄强崇高的风格呼唤民族的振兴,以活跃的多元性、民间性鼓荡知识分子的创造、革新和反叛。碑学的艺术形态应和了民国时期女性权利意识、独立意识和自由观念的觉醒,参与了女性成长演进的过程。本文试图分析碑学的民间性包含的多个维度对民国女书家身份观的改变,使得民国女书家开始更多关注民生及现实问题,揭示出碑学在推进女性思想解放和艺术独立性上的特殊作用,有利于深化碑学的现代性品格。
The calligraphic inscriptions called for the rejuvenation of the nation in a noble style in the process of national crisis The.intellectuals＇ creating reforming and rebelling were activated by the,active pluralism and non governmental-nature The inscriptions art form of.should be combined with the awakening of the women s rights＇ awareness,independence awareness and freedom concept during the Republic of China,and participated in the process of women s growth and＇ evolution This paper.tries to analyze the change of the identity of female calligraphers in the Republic of China from many dimensions contained in the folklore of the inscriptions so that female calligraphers in the Republic of China began to pay more attention to people s livelihood and practical problems and to＇ reveal that the study of inscriptions should promote women s special role in＇ ideological liberation and artistic independence which is conducive to,deepen modernity of the inscriptions.
出处
《吉林艺术学院学报》
2017年第5期65-71,共7页
Journal of Jilin University of Arts
关键词
碑学
民间性
民国女书家
身份观
inscriptions
folklore
female calligrapher in the Period of the Republic of China
concept of identity
