摘要
"海道"评弹的出现大致以1908年上海"申江润余社"的成立为标志。厥后,向以正统自诩的光裕社即调用种种手段遏制以润余社为代表的这股异己势力,从而引发了书坛数十年的"苏""海"之争。在互竞雄长的过程中,两者渐由组织上的区别发展为艺术及艺人气质上的分野。分析沪上评弹的特征,可见"海道"评弹实则是在上海"近商摄利"之风影响下,从苏州评弹中异化出的变体。这一变体在相当程度上反作用于母体,使苏沪评弹在彼此排斥的同时,形成了相生相长的共生关系。
The appearance of the Haidao Pingtan was marked by the establishment of Shen Jiang Run Yu She in Shanghai in 1908. From that time on, the Haidao Pingtan was suppressed by the self-proclaimed orthodox Guang Yu She. There existed the contest between the two major local genres of Pingtan for decades. In the process of competing with each other, the diference between the two gradually changed from the organizational group to the art and the artists’ temperament. Based on the analysis of the characteristics of the Shanghai Pingtan, the author of this paper can see that the Haidao Pingtan is actually a variation of alienation from the Suzhou Pingtan under the infuence of Shanghai, a city with its commercial atmosphere, and its focus on commercial interests. This variant is, to a great extent, counteractive to its origin, making the Suzhou Pingtan and Shanghai Pingtan mutually exclusive and symbioticat the same time.
出处
《常熟理工学院学报》
2017年第6期9-15,共7页
Journal of Changshu Institute of Technology
基金
浙江省文化厅文化科研(社科类)项目"浙江评弹发展史论"(ZW2016060)
关键词
苏道
海道
竞争
互生
Sudao
Haidao
contest
symbiotic relationship
