摘要
哥斯拉系列电影堪称是日本的"国民IP"。自1954年首部上映以来,迄今62年间共拍摄上映了29部,堪称日本科幻电影的史诗巨制。哥斯拉系列电影展现了日本战后"再现代化"的历程,以及在这个过程中日本人群体性社会意识的不断演变:科技景观的意涵变化、生活观念的演变、南洋情结的代际更替、对自卫队态度的转变等。银幕上的怪兽出没折射出的是当代人对现代都市生活的隐忧。
Godzilla Films can be called Japan's "National IP".Since the release of the first edition in 1954,a total of 29 editions have been shot in 62 years,which can be rated as the epic monumental work among Japanese science fiction films.As a series,Godzilla Films present Japan's post-war "re-modernization" process as well as the continuous evolution of collective social consciousness of Japanese in this process,such as changes of the implication of technological landscape,evolution of life concept,generational changes of the South Seas complex and the transformation of the attitude toward Japan's Self-Defense Force,and the appearance of the monster on the screen reveals contemporary people's worries about modern urban life.
出处
《北华大学学报（社会科学版）》
2017年第6期128-136,共9页
Journal of Beihua University(Social Sciences)
基金
天津市艺术科学规划项目"外源性因素对中国近二十年动画创作的影响"(A14083)的阶段性研究成果
关键词
日本科幻电影
哥斯拉系列
社会转型
再现代化
科技景观
南洋
Japanese science fiction films
Godzilla Films
Social transformation
Re-modernization
Technological landscape
South Pacific
