摘要
《淮南子》融会了多家学术思想,并首次将哲学思想大量运用于艺术领域,为中国画论的发展开了先河,之后的魏晋南北朝画论如顾恺之"形神论"、谢赫"六法论"、姚最"心师造化"等,皆能从《淮南子》中找到思想渊源。文章以此为切入点,将《淮南子》绘画美学思想和魏晋南北朝画论进行了比对和分析,揭示了魏晋南北朝画论与《淮南子》美学思想所存在的渊源关系。
Huainan ZiJ combined many academic ideas, and for the first time, widely applied philosophy to the art field, which opens the door for the development of Chinese painting theory. After the Wei, Jin and the Southern and Northern Dynasties, many theories, such as Gu Kaizhi’ s theory of “form and spirit”,Xie He’ s theory of “six principles of painting”,and Yao Zui ’ s theory, etc. can find the ideological origin in uHuainan Zi y. With these theories as a starting point, this article makes comparisons between and analysis of the aesthetic thought in uHuainan Zi＇ and the painting theories of Wei, Jin and the Southern and Northern Dynasties, revea-ling the original relationship between them.
出处
《安徽理工大学学报（社会科学版）》
2017年第5期7-12,共6页
Journal of Anhui University of Science and Technology:Social Science
基金
2016年安徽省高校人文社会科学重点项目“地域视野下《淮南子》绘画美学思想研究”(SK2016A0848)
2014年淮南师范学院重点项目“《淮南子》中‘形神’观对后世画论的影响和启示”(2014xk18zd)
2016安徽省高校人文社会科学重点项目“安徽籍学者对'五四'前后美术发展的影响研究”(SK2016A0843)
关键词
《淮南子》
美学思想
形神论
画论
影响
Huainan Ziy
Aesthetic thought
the theory of ＂form and spirit＂
Painting theory
Effects
