摘要
艺术是时代的镜子,时代是艺术生长的土壤。至于书画,自晋代勃兴之后,历经南北朝以至唐、宋,益见繁富,各具特色。"晋人尚韵、唐人尚法、宋人尚意"的概括与总结,十分简练经典,成了后人津津乐道的话题。尚韵、尚法与尚意的艺术风尚,顺势而生,因时而变,终成波澜之势,为时代艺术之典范。以此种艺术特色概括为题进行研究,划其区别,究其原委,尤其对宋代"尚意"书画之风特加关注,展现这一时代艺术的繁富与个性,揭示其人文精神所在,梳理它渐成波澜因由,是很有意义的话题。
Art is the mirror of the time, and the time is the soil for art. As regards to calligraphy and painting, they rose quickly in Jin dynasty and became more and more flourishing through the later dynasties and have their own features. Jin people advocated the charm, Tang people advocate the rule, and Song people advocate the connotation of the work is very concise and classic and has become a topic people love to discuss. In this paper, I pay attention to the style of Song painting and calligraphy and try to reveal the complexity and peculiarity of the art in that time and disclose the implied humanistic spirit.
出处
《艺术百家》
CSSCI
北大核心
2017年第5期175-180,共6页
Hundred Schools In Arts
基金
2017年度国家社会科学基金艺术学一般项目"于安澜与20世纪上半叶中国画学研究"阶段性成果之一
