摘要
怪诞是滑稽和恐怖这两种基本元素无序的混合体,怪诞的主要审美体验是震惊和笑声,厌恶或者恐惧以及焦虑。理论界很长时间都难以接受这种"反常"的美,直到近百年来才持有积极的研究态度。目前国内儿童文学研究主要集中于具体的作家作品,几乎没有对怪诞成分的关注。然而,含有怪诞元素的儿童文学作品实际上受众颇广,受到儿童读者的喜爱。本文将梳理怪诞风格的起源和怪诞理论的发展,分析它在罗尔德·达尔的儿童文学作品中的表现形式之一,即怪诞叙事及其作用,并在此基础上揭示怪诞作为一种审美形态在儿童文学作品中的意义。
Grotesque is mainly the unordered mixture of comic and horror,whose responses are mainly shock and laughter,disgust or fear,and anxiety. It took centuries for critics to accept this‘abnormal＇form. Thus far the study of Children＇s literature in China focuses more on specific writers and their works,paying little to attention to the element of grotesque. However,the readers of works that contain element of grotesque are not small groups. The essay traces the origin and the development of grotesque,summaries the important theories of the grotesque,compares it with other relative literary terms,analyses one of the forms and functions in Roald Dahl＇s children literary works,that is,grotesque narrative,and points out the meaning of the grotesque as a category of aesthetics in Children＇s literature on the basis.
出处
《长春师范大学学报》
2017年第11期135-138,共4页
Journal of Changchun Normal University
关键词
罗尔德·达尔
儿童文学
怪诞叙事
Roald Dahl
children's literature
grotesque narrative
