摘要
本文希望将汉代四神瓦当图形元素更好地运用于现代设计中,围绕"传统寓意"与"现代造型"两大版块,结合对四神纹的风格与特点的分析,对其现代应用进行大胆尝试,逐步找到四神纹图案设计的客观定位与实用价值。以汉代四神瓦当图形为基础,对其进行元素提取以及像素化变形,实现传统文化图形与现代流行风格的融合,并对其图形进行应用。提取蕴含于四神纹样中的形态、色彩、隐性元素,通过独特的艺术表现进行应用研究,有利于设计对象从形、神两方面体现传统文化的魅力。
The paper analyzes the style and characteristics of the four divine patterns, and makes a bold attempt to modernize the application of the graphic elements of the four gods of the Han Dynasty. In the modern design, the two aspects of ＂traditional meaning＂ and ＂modern modeling＂ And gradually find the objective design and practical value of the design of the four divisions. Methods Based on the theory of the gods of the gods in the Han Dynasty, the elements are extracted and the pixelized transformations are realized, and the fusion of the traditional cultural graphics and the modern pop style is realized. Conclusion It is beneficial to design the object from the shape and the gods to embody the charm of the traditional culture in the form of the form, the color and the hidden element which is contained in the four gods.
出处
《工业设计》
2017年第9期54-55,共2页
Industrial Design
基金
教育部人文社科项目(汉唐文化设计基因流变研究
项目编号:12YJCZH248)
关键词
汉代四神瓦当
元素提取
像素化
隐性元素
Hart dynasty four god wadang
Extraction element
Pixelated
Hidden elements
