摘要
亚历山大·索科洛夫电影《德军占领的卢浮宫》讲述了二战期间卢浮宫艺术品的命运,但电影中的卢浮宫更像是俄罗斯的镜像,是电影作者吟诵的一阙挽歌:这是传统的俄罗斯知识分子为旧世界的欧罗巴吟诵的挽歌,影片从一个俄罗斯知识分子的视角,通过"艺术品与权力"等命题的思考,表达了作者对人文主义、人道主义理想在当代世界所遭遇危机的深度焦虑,对欧共体理想的深度思考,并与欧盟、俄罗斯的"当下文本"产生了很多耐人寻味的思想碰撞。
Aleksander Sokurov＇ s movie The Louvre under German Occupation tells about the destiny of the art works in the Louvre during World War II, but the Louvre depicted in the movie is more like the mirror image of Russia. It is an elegy sung by the producer of the movie： en elegy sung by traditional Russian intellectuals for the old Europe. The movie, through thinking over the relationship between ＂art works and power＂ , expresses the producer＇ s profound worries about the crises encountered by humanism in the contemporary world and profound thoughts about the ideals of European Community from the perspective of a Russian intellectual, and exerts many interesting collision of ideas with European Union and with Russian ＂current text＂.
出处
《俄罗斯文艺》
CSSCI
2017年第4期4-11,共8页
Russian Literature & Arts
基金
中央高校基本科研业务费专项资金资助
