摘要
桐城派有着辉煌的历史,是晚清时具有全国影响力的一个文学流派,清代散文也因此取得超越元明、比肩唐宋的崭新局面。1840年鸦片战争后,在席卷而来的"世变"挑战面前,受桐城派作家的生平际遇与才情所限,再加上没有应时而变,桐城派最终走向没落。从创新表现形式的角度提出两大策略:一是实施黄梅戏"精品"工程;二是借助动漫元素。通过整合多种不同形式的文化资源,最终达到弘扬桐城派的目的。
Tongcheng school has a glorious history being a literary genre with its national influence in late Qing dynasty which achieved a brand new situation surpassing the Yuan Ming and matching the Tang and Song dynasties. After the opium war in 1840, Tongcheng school finally fell into decline in the face of the ＂world change＂ challenge due to the constraints of Tongcheng writers＇ life and talents as well as their not responding to the times. This paper puts forwards two strategies from the perspectives of innovative expression forms： one is to implement the ＂boutique＂ project of Huangmei opera; the other is to make use of animation elements. The purpose of carrying forward of Tongcheng school can be finally achieved through integrating various forms of cultural resources.
出处
《黑河学院学报》
2017年第9期192-193,共2页
Journal of Heihe University
基金
安徽省高校2013年教育部重点课题"中国近代教育转型时期桐城派‘德行’教育研究"(DEA130243)
关键词
桐城派
黄梅戏
动漫
结合
Tongcheng school
Huangmei opera
animation
integration
