摘要
江户时期以来,日人翻译中国通俗小说和创作汉文小说时,卷首常附有其以汉文创作的序跋。以时间为序对这些序跋分析可发现,江户时代前期日人写作小说序跋,思想观念和描写手法仍处在摸索、模仿阶段。江户时代中后期,日人带着学习目的阅读中国通俗小说,能够快速学习中国文人观念,并加以融会贯通,对小说的态度也更为宽容,很早便养成了细读文本、注意版本等习惯。此时日人在创作汉文小说序跋时,虽仍以中国小说为绝对权威,但也逐渐萌生出独立的创作意识。而明治维新之后,日人所撰汉文序跋强调小说创作要与现实生活产生联系,又深刻影响到了近代中国的小说变革。
Japanese literati usually wrote prefaces and postscripts in Chinese when they translated Chinese classical popular fiction or wrote novels in Chinese after Edo period. These prefaces and postscripts in chronological order could be divided into four stages： in the early Ego period, Japanese literati were used to imitating the creation of Chinese writ- ers. In the middle and late Edo period, Japanese scholars treated Chinese classical popular fiction as material for learning, and their attitude were much more rigorous. In the mean- time, the independent creative consciousness began to appear in their novels in Chinese. After Meiji restoration, Japanese scholar＇s creation began to make connection with reality, and affected the revolution of fiction in China.
出处
《中国比较文学》
CSSCI
北大核心
2017年第4期108-124,共17页
Comparative Literature in China
关键词
日本文人
中国通俗小说
汉文小说
译本小说
序跋
Japanese literati
Chinese classical popular fiction
novel in Chinese
transla-tion
prefaces and postscripts
