摘要
中华武术是武侠电影的核心要素,是武侠电影的有力支撑和特色战略性资源。研究聚焦中华武术,在武术本体化视域下,梳理和阐释中华武术与西方武技的差异,从中华武术拳技与拳理入手,构筑与剖析中国武侠电影深层的文化结构,以武传文,满足观众的熟悉感和期待感,力争在"共性"与"个性"、"重复"与"创新"、"东方"与"西方"中寻求平衡和发展基点,探索全球化背景下中国武侠电影的特色化、多元化发展路径。
As for swordsmen film, Chinese Wushu is the core element, significant support and characteristic strategic resource. This article focuses on Chinese Wushu, clarifies and explains the differences between Chinese and western martial arts from the view of ontologization. We also analyses and construct the deep cultural structure of Chinese swordsmen film in terms of technique and mechanism of Chinese Wushu, inherit culture through Wushu, and meet the audiences＇ expectations. In this study, we try to find the balance point and develop base point between ＂similarities＂ and ＂individualities＂, ＂repetition＂ and ＂innovation＂, ＂east＂ and ＂west＂, and furthermore, explore a characteristic and diversified route for Chinese swordsmen film in the context of globalization.
出处
《电影艺术》
CSSCI
北大核心
2017年第5期14-20,共7页
Film Art
关键词
中华武术
武侠
技击
动作片
Chinese Wushu, martial arts, attack and defense, action film
