摘要
《眼药酸》绢画是现存不多的宋代杂剧人物图之一,另一幅是同藏于北京故宫博物院的《打花鼓》绢画,保留至今的宋代杂剧绢画仅此二幅,是宋代杂剧发展状况的有力图证。本文利用图像学的研究方法,对《眼药酸》绢画的制像目的进行分析,并通过图中演员的首服与服装,推测其所扮演的具体人物身份,探讨宋人如何利用服饰语言对人物形象进行艺术化处理。
Silk painting ＂Eyedrops＂ is one of two existing figure paintings about zaju in the Song Dynasty, another one is silk painting ＂Beating Flower Drum＂, also collected in The Palace Museum, Beijing. They are the only two silk paintings remaining to this day about zaju in the Song Dynasty, acting as the persuasive painting evidences for the development of zaju in the Song Dynasty. Firstly, this paper applies iconography methodology to analyze the painting target of silk painting ＂Eyedrops＂; secondly, this paper speculates characters＇ figure statuses based on their cap crowns and costumes; thirdly, this paper explores the way that people take advantage of costume language for artistic processing of characters in the Song Dynasty.
出处
《艺术设计研究》
CSSCI
2017年第3期40-44,共5页
Art & Design Research
基金
北京哲学社会科学基金重大项目<北京民间工艺美术史>(项目编号:11302AE1602)
北京联合大学新起点计划资助项目(项目编号:Sk10201611)阶段性成果
关键词
宋代服饰
眼药酸
杂剧
绢画
Costumes of the Song Dynasty
Eyedrops
Zaju
Silk painting
