摘要
本文对两名专业的昆曲闺门旦演员演唱和念白的喉头仪信号进行了分析，揭示了其发声方式随音高的变化规律。结果表明：1）闺门旦的演唱主要使用了气嗓音、正常嗓音和高内收假声；2）闺门旦的念白主要使用了气嗓音、低内收正常嗓音和高内收假声；3）气嗓音、低内收正常嗓音和高内收假声是闺门旦行发声的重要特色；4）两名演员同种发音模式下相同音域所用的发声类型不一定相同；5）在相同音域内，演唱和念白的发声类型不一定相同；6）同种发音模式下不同音域发声类型不同。
Electroglottogram （ EGG ） parameters were analyzed for two Young woman singers of Kunqu Opera. Each singer performed singing, stage speech, and conversational speech. The phonation types varied by pitch were investigated. The following results have been suggested. Young woman role used breathy voice, （BV） , modal voice （MV） and falsetto with high degree of posterior glottal adduction （HF） in singing and BV, modal voice with low degree of posterior glottal ad- duction （ LMV ） and HF in stage speech. BV, LMV and HF were im- portant characteristics of Young woman role＇s acting voice. The pho-nation types in the same pitch range were not identical between singing and stage speech, as well as between singers while singing or reciting stage speech. The singers adjusted phonation types for pitch.
出处
《语言学论丛》
CSSCI
2016年第2期292-304,共13页
Essays on Linguistics
基金
国家社会科学重大项目的支持,项目名称为“中国有声语言及口传文化保护与传承的数字化方法研究和基础理论研究”,批准号:10&ZD125
关键词
闺门旦
演唱
念白
喉头仪
发声类型
Young woman role, singing, stage speech, EGG, phonation type
