摘要
20世纪50—80年代日本学者的《楚辞》研究比之上半世纪,表现出明显的进步,他们已不满足于沿着中国乾嘉传统前进,希望能够走出一条有着日本学者自我特色的研究之路。在方法上,更重视地下文物的发现,用之以与典籍文献对照,还十分注意从民俗学的角度出发来进行研究,可谓三重论证。在观点上,日本学者从哲学、社会学、宗教学、人类学等角度出发,力求阐发个人的见解。还有些日本学者作出了具有整体性的论述,体现出一种宏观性的眼光与建立体系的雄心。
Compared with the first half of the twentieth century, the three decades from the 1950s to the 1980s witnessed highly visible progress in the studies on Chu Ci楚辞 （ known in English as the Songs of Chu or transliterated as the Chu Tz＇u ） in Japan. Instead of following the Qianjia 乾嘉 tradition （ literally the tradition dating back to the period from Emperor Qianlong＇s reign to Emperor Jiaqing＇s reign ）, scholars in Japan wanted to blaze a new trail in the field. Methodologically, they put more emphasis on using unearthed materials, which were compared against the classics and on adopting folkloristic perspectives, thus establishing strong arguments based on three such types of evidence. Moreover, they tried to elaborate on their opinions from philosophical, sociological, religious, anthropological perspectives. Some Japanese scholars even gave holistic accounts and explanations, which speak of their macroscopic vision and ambition to construct a holistic system for the studies on Chu Ci.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2017年第5期117-124,共8页
Journal of Nanjing Normal University(Social Science Edition)
基金
国家社科基金项目"日本楚辞学研究"(15BZW054)阶段性成果
关键词
日本
楚辞研究
多学科性
宏观性
Japan
studies on Chu Ci
multi-disciplinarity
holism
