摘要
亚美尼亚延绵了逾十个世纪的手稿制作史展现并塑造了其特殊的宗教和文化传统。现存的中世纪亚美尼亚手稿是一种需要整体理解的符号体系和观看客体,从各个侧面浓缩了亚美尼亚人集体记忆和身份建构所需的多重要素。文中将聚焦亚美尼亚手稿插绘中一个重要的主题:福音书中的"手势"语言,并通过对都柏林比替图书馆馆藏亚美尼亚手稿的细读,将"手"的语言置于解经学和图像史背景中考量,试图从一种崭新的视角解读中世纪亚美尼亚图像传统及其背后独特的宗教文化意识。
The history of Armenian manuscript production,which lasted for more than ten centuries,both represents and shapes Armenian religious and cultural traditions.The corpus of existent medieval Armenian manuscripts,containing various elements in the collective memory and identity construction of the Armenians,is a type of symbolic system as well as object of perception,that requires simultaneous textual and pictorial exegesis.This article focuses on the language of'hand'in Armenian illustrated gospels.By closely examining the gospel collection at Chester Beatty Library in Dublin,it attempts to contextualize the semantic possibilities of Armenian gestures in the background of Christian iconography and exegetics.
出处
《史林》
CSSCI
北大核心
2017年第4期159-173,216,共16页
Historical Review
基金
上海市浦江人才项目"中世纪感官史语境下的中古英语文学研究"(16PJC005)的阶段性成果
