摘要
西洋画法在明末被引进中国,景德镇青花画工为表现光影转变的西洋画法而创新出一些画法。因为康熙和雍正的喜好,国画和官民窑青花瓷上大量使用西洋画法;由于乾隆的反感和指示,高光画法被从国画和青花瓷上除去。
Inspired by Western brushwork skills that were introduced to China during the Late Ming period, painters in Jingdezhen invented new brnshwork skills on Blue-and-White porcelain to show the transition of light and shadow. Later, western brushwork skills were even more widely employed in painting Blue-and-white porcelain by official and folk kilns because of the obsession of these skill by emperors Kangxi and Yongzheng. However, these western brushwork skills in Blue- and-White porcelain painting disappeared later on because of Qianlong＇s disfavor.
出处
《考古与文物》
CSSCI
北大核心
2017年第4期83-88,共6页
Archaeology and Cultural Relics
基金
"国家社会科学基金重大项目<非洲出土中国古代外销瓷与海上丝绸之路研究>"(项目批号:15ZDB057)的资助
关键词
明清之际
西洋
青花画法
Transition of the Ming and Qing Dynasty, Westem style, Blue-and-White porcelain brushwork
