摘要
学界对本雅明的"Aura"概念做出了不同的解释,通过语境分析界定了神韵的内涵,并论证了其在本雅明艺术理论中的核心地位。在本雅明看来,神韵是诸多艺术门类如绘画、建筑、摄影、电影等的灵魂,是确保艺术本质不在复制中流散的关键。本雅明的观点在今天的商业化浪潮中得到验证,其看法对于我们今天的文艺繁荣有着重要的启示意义。
Academia has made some different interpretations of the study of Walter Benjamin＇s concept of＂Aura＂. The author of this paper defines the connotation and demonstrates the charm according to the context analysis and its core position in Walter Benjamin＇s theory of art. In Walter Benjamin＇s view, Aura is the Soul of many arts such as painting, architecture, photography,film and so on, which is critical to ensure that the essence of art is not dispersed during the replication. Walter Benjamin＇s views have been verified in today＇s wave of commercialization, which has important enlightenment significance for today＇s literary prosperity.
出处
《怀化学院学报》
2017年第8期114-117,共4页
Journal of Huaihua University
基金
河南省哲学社会科学规划项目"哈列维<赫札尔人书>的翻译与研究"(2015BZX004)
河南大学2015年度教改项目"经典研读
通识教育与高素质人才培养"
关键词
本雅明
神韵
卡夫卡
绘画
摄影
电影
Walter Benjamin
aura
Kafka
painting
photography
film
