摘要
作为"市民导演"的冯小刚凭借对观众审美心理的准确把握,以一种亲和幽默的姿态,讲述老百姓小市民的故事,冯氏喜剧应运而生。"跟生活对接,就会感到生活足够喜感",他坚持平民化、游戏化的路子,使其电影的文本叙事具有独特的魅力。通过设置众多荒诞的游戏化情节,营造出轻松的观感氛围,同时用幽默来化解生活中的尴尬,在笑闹之中关注普通人的生命状态和情感的发展轨迹。本文即从冯小刚喜剧的叙事结构,情节设计以及冯氏语言表达的三个层面探讨其市民喜剧的艺术特色。
As a＂citizen director＂Feng Xiaogang by virtue of the audience aesthetic psychology of the accurate grasp of a friendly and humorous posture,about the story of the people of small people,Feng comedy came into being.＂With the life docking,will feel full of joy,＂he insisted on civilians,the game of the road,so that the film＇s narrative narrative has a unique charm. By setting a lot of absurd game of the plot,creating a relaxed atmosphere of perception,while humor to resolve the embarrassment of life,in the laughter among the attention of ordinary people＇s life and emotional development trajectory. This article explores the artistic characteristics of the public comedy from the three aspects of Feng Xiaogang ＇s narrative structure,plot design and Feng＇s language expression.
出处
《宜春学院学报》
2017年第7期101-104,共4页
Journal of Yichun University
基金
湖南省教育厅教改项目"研讨式教学法的运用和研究生创新能力的培养"(项目编号:JG2014A012)的阶段性成果
关键词
冯小刚
叙事
语言
文化幽默
Feng Xiaogang
Narrative
Language
Cultural humor
