摘要
20世纪80年代以来,戏曲美学研究成果主要表现为研究专著、史述、美学史著作中涉及的戏曲美学研究和对戏曲美学宏观体系范畴的研究四种形态,且所建构的戏曲美学体系及书写的戏曲美学史皆是同中有异。基于对现有戏曲美学研究成果的分析,提出戏曲美学的主体研究走向应为:探讨、明确戏曲美学学科的性质;梳理、阐释戏曲美学范畴及其构成系统;书写完整的戏曲美学史;加强对戏曲美的研究。
Since the 1980 s,research outputs in the study of opera aesthetics can be found in four forms： research monologue,historical review,studies of opera aesthetics in the works of history of aesthetics and studies on the macro system of opera aesthetics. There are similarities with differences seen in the system of opera aesthetics and the written history of opera aesthetics. Based on analysis of existing research results of opera aesthetics,the direction of the main research in opera aesthetics is proposed as： discussing and clarifying the nature of the study of opera aesthetics,studying and illustrating the category and its constituting system of opera aesthetics,writing a complete history of opera aesthetics and,enhancing the study of opera aesthetics.
出处
《民族艺术研究》
2017年第4期25-33,共9页
Ethnic Art Studies
基金
2016年度文化部文化艺术研究项目"晚明戏曲生态研究"(项目编号:16DB11)的阶段性成果~~
关键词
戏曲美学
戏曲理论
戏曲审美
研究成果
opera aesthetics
theory of opera
opera aesthetica
research results
