摘要
蝴蝶纹作为湘西苗族童帽中的纹饰常与苗族创世神话中的女性始祖"蝴蝶妈妈"联系在一起,包含了丰富的女性文化色彩。但从苗族文化历史有关的资料中推测,蝴蝶纹中的女性色彩或许只是其文化内涵中的一个层面,它更有可能随着历史的后延逐步被父系氏族时期的苗族蚩尤文化所覆盖,演变成一种对祖先蚩尤崇拜的符号,因而其男性意味会逐渐显现,而"蝴蝶妈妈"随着蝴蝶纹的流传或许已成为一种称呼上的沿用,就此观点以湘西苗族文化为基础对童帽上的蝴蝶纹展开性别归属上的探究。
the butterfly pattern as the decoration of Xiangxi Miao bonnet and female ancestor ＂Miao Chang in the creation myth of mother butterfly＂ together, contains rich female culture. But from the Miao cultural history related information that the butterfly pattern in female color may be just a level of its cultural connotation, it is more likely with the history of the delay gradually covered by the patriarchal clan Chi You in the period of culture of the Miao nationality, evolved into a kind of ancestor worship Chi Youchong symbol, which means a male gradually, the ＂butterfly mother＂ with the spread of the butterfly pattern may have become a call use this view to provide a basis for the culture of the Miao Nationality in Xiangxi to explore gender belonging on bonnet butterfly patterns.
出处
《昭通学院学报》
2017年第4期41-43,47,共4页
Journal of Zhaotong University
关键词
苗族童帽
蝴蝶纹
蝴蝶妈妈
性别探究
Miao bonnet
butterfly butterfly
mother
, gender study
