摘要
战后日本电影的中国形象建构是日本对中国认识的参照和体现。通过分析日本面向中国形象主题的叙事,指出其在历史修辞、文化态度与形象塑造层面呈现出的种种歧义。战后日本电影围绕中国形象进行的抒写,不仅成为日本体认亚洲及自身形象的重要叙事坐标之一,同时其中所呈现出的散点透视/主题偏移,恰恰反映了其返回亚洲历史叙事过程中的民族文化改写与现实政治考量。由此,以中国形象建构作为理解日本电影内涵的交点/焦点,由点及面,涉及当下国家形象的多义性塑造,最终指向未来文化竞合(Cooperation-Competition)意义上的亚洲叙事。
The Chinese images presented in postwar Japanese films reflected Japan＇s view of China.This paper analyzes all sorts of ambiguities arising from Japan＇s narrative of Chinese images in terms of historical rhetoric,cultural attitudes and image building.The portrayal of Chinese images in postwar Japanese films became one of the important means for Japan to identify with Aisa and its own image.Accordingly,the scattered perspective and deviated themes in the narrative of Chinese images reflected Japan＇s rewriting of its national culture and the consideration of practical political inflences during the process of returning to the Asia historical narrative.In this regard,the perspective of Chinese images is taken as the intersection and focal point to understand Japanese national ideology through its films,and extends further to current national image building with multiple interpretations,and finally to the ＂Asian＂narrative in the sense of future cultural Cooperation-Competition.
作者
郑炀
ZHENG Yang(College of Humanities and Communications, Shanghai Normal University, Shanghai 200234, Chin)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2017年第4期43-51,共9页
Journal of Shanghai University(Social Sciences Edition)
基金
国家社科基金艺术学一般项目(15BC037)
关键词
战后
日本电影
中国形象
postwar
Japanese films
Chinese images
