摘要
秋千作为中国古典诗词里的意象,承载着女子的欢乐与忧愁。秋千展现着女子不同的生命形态:少女朦朦胧胧的情思,恋爱时的欢喜惆怅,嫁人后的离别忧愁,回忆里的亡人与祖国。待字闺中的少女无忧无虑,欢快的秋千承载着女子青春特有的活泼与潇洒;而嫁为人妇,秋千旁的女子则往往是惆怅的形象。从众多文本中可以发现,男性笔下女子与秋千的离合,符合文人士大夫的抒写与审美情趣;而女词人笔下的秋千只是一个背景符号,她们用细腻的笔触传达自己的感情。
The swing, as an image in Chinese classical poetry, carries female s joy and sorrow. The swing demonstrates different life forms of females, such as girlshazy affection, delight and melancholy when falling in love, grief of farewell after getting married, the deceased wife and motherland in memory. When they were carefree young girls, the joyful swing carried lively youthfulness and unrestrained elegance; however, when they got married, the female beside the swing were always mel-ancholy. The female image of men writers conforms to the aesthetics of the scholar - bureaucrat; for women writers, the swing is a symbol that expresses their own emotions.
出处
《新疆财经大学学报》
2017年第3期73-80,共8页
Journal of Xinjiang University of Finance & Economics
关键词
宋词
秋千意象
女子
生命形态
Song Ci
the image of swing
female
life forms
