摘要
花草树木是中国历史文化传统中重要的意象载体。《聊斋志异》中的花妖具有极为独特的艺术魅力和研究价值。她们多为女性,是具有独立人格特征的生动意象。本文从分析心理学的角度出发,结合蒲松龄的生活与情感经历,从花妖意象和其中蕴含的阿尼玛原型两方面进行了初步探讨。
The flowers and trees is important in Chinese historical and cultural tradition of the image carrier. The flowers of Strange Stories from a Chinese Studio have very unique artistic charm and the value of research. The flower are female,and formed a vivid image with independent personality. In this paper,from the perspective of psychological analysis,combined with the emotional experience of Pu Songling,this paper discussed the flower imagery and anima archetype from two aspects.
出处
《信阳农林学院学报》
2017年第1期56-58,62,共4页
Journal of Xinyang Agriculture and Forestry University
关键词
聊斋志异
意象
原型
花妖
Strange Stories from a Chinese Studio
image
prototype
flower
