摘要
全真正韵一直遵循着口传心授的传承方式 ,使用上延续着已有的曲目。面临当代信息社会的影响 ,在全真道宫观就如何继承与发展全真正韵 ,不同年龄的道士有着不同的传承观 :年老道士坚持“传承所遵循的习惯” ;年轻道士则提倡“继承与发展并存”。无论是继承还是发展 。
Quanzhen Zhengyun has been keeping on the teaching way from mouth to mouth, using the known music. Face to the information-society, how to carry on and develop the Quanzhen Zhengyun in the temple of Quanzhen-Taoism, the Taoists with different age have different ideas. The aged Taoists hold that it should be following the inheritable rules, while the young ones advocate that both the carrying on and the development can coexist. No matter carrying on or development, it should be in possession of a certain cultural knowledge and the substance condition.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2002年第1期56-58,共3页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
全真正韵
继承
发展
创新
Quanzhen Zhengyun
carrying on
development
creation