摘要
文章分析了电脑生成图像机制技术、美国霸权与新自由主义金融在韩国"金融危机电影"中的复杂关联。这些电影中所充满的各种新自由主义形式,象征着这些电影在努力反思大众电影与金融之间的亲近关系,尤其是电影的物质机器与因金融危机而进入到韩国公共话语中心的经济机器之间的紧密联结。
This paper examines the co-implications of CGI filmmaking, US hegemony, and neoliberal financialization as manifested in Korea＇s ＂IMF crisis cinema.＂ These films are populated by what I term neoliberal forms that epitomize the effort in this cinema to reflect on the innate proximity of popular filmmaking to finance, and specifically on the proximity between its own material apparatus and the economic apparatus that the IMF crisis inserted into the center of Korean public discourse.
出处
《电影艺术》
CSSCI
北大核心
2017年第4期104-110,共7页
Film Art
