摘要
中国近代女性文学批评,指写作或出版于1840—1919年间女性所写的文学批评作品。其内容涉及诗、文、词、弹词、小说、戏剧等文学类型或作品;形式包括诗文选本、诗话、词话、论诗诗、题词、诗文序跋以及杂见于其他作品中的文学言论等。在文艺学、近代文学、文学批评史等相关学科领域中,近代女性文学批评尚处于缺席状态。近十数年来,清代女性文学批评研究兴起,间接为之提供了部分资料与研究成果。但囿于资料、观念等原因,近代女性文学批评研究还十分薄弱,有大量空白需要填充。近代女性文学批评的文献数量远超想象,近代实可称为女性文学批评的自觉时代,其学术价值毋庸置疑。作为一个新的研究领域,近代女性文学批评有四个基础性问题:近代女性文学批评文献的辑录与整理;近代女性文学批评的核心命题;代表性作品与作者研究;近代女性文学批评的历史地位。
Women’s literary criticism in early modern China refers to writings of literary criticism by women writers published between 1840 and 1919.In terms of content,it touches upon poetry,essays,ci poetry,tanci,fiction,drama,and other literary genres;while in form it includes collections of poems and essays,notes on poetry,notes on ci poetry,poems on poetry,forewords,prefaces and postscripts to selections of poems and essays,and literary views scattered in other works.However,the study of early modern women’s literary criticism is still absent in such fields as literary theory,study of early modern Chinese literature,history of literary criticism,etc.In the past decade,the rise of female literary criticism in the Qing dynasty has indirectly provided some materials and research results for it.But due to constraints of materials and ideas,research on early modern women’s literary criticism is still very weak,leaving many blanks yet to be filled.The scale of the literature in this field is far more than people have imagined.Indeed,this period can be called an era of women’s consciousness in literary criticism and its academic value is beyond doubt.As a new research field,women’s literary criticism in early modern China has the following four primary tasks needing to be attended at:literature compilation and collation;core proposition research;study of representative works and writers;and clarification of its historical status.
出处
《中国社会科学评价》
2017年第2期55-64,共10页
China Social Science Review
基金
国家社科基金项目"中国近代女性文学批评研究"(16BZW106)的阶段性成果
