摘要
以图画艺术的形式再现人们心目中的李白,是历代文人解读李白和接受李白的重要方式。早期的真品后世已不得见,多因诗文的吟咏而保存信息,诗文记载中的李白图画可以分为李白写真、李白的传说及主题画、各代文人赏玩的题画诗以及李白诗歌的诗意图。这些艺术品提供给后世的信息是多元的,不仅是历代李白接受史的组成部分,也是一部李白绘画艺术史。而诗与画的密切关系,从想象与视觉的双重空间重构了李白的世界。
It is an important way to interpret and accept Li Bai by paintings among scholars of the past dynasties. The authentic paintings of the earlier years have scarcely existed, and chant poems preserved some of them. Paintings about Li bai can be divided into portray, legend, and theme paintings. These paintings provided us with diverse art, which is not only a part of reception history of Libai, but also a painting art history of li Bai. The close relationship between poetry and painting reconstruct of Li Bai＇s world build up the double space of imagination and vision.
出处
《西北师大学报（社会科学版）》
CSSCI
北大核心
2017年第4期61-66,共6页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金一般项目"竹枝词及其近代转型研究"(16BZW095)
关键词
视觉艺术
书画
李白接受史
visual art
painting and calligraphy
reception history of Li Bai
