摘要
有明一代,旅游不再是王公贵族、地主豪绅和文人士大夫的专利,普通民众也汇入游历的群体。为区别于众,江南地区的文人们尤其注重能象征身份和塑造品位的游具,并从坐而论道转而为行之以躬,亲自参与游具的设计和审美,不仅赋予了器物文人气质和文化内涵,也沉淀了江南地区游具特有的美学特质,引领着游具设计审美文化的发展。
Travelling was no longer an exclusive experience for the upper class in the Ming Dynasty,common people were joining in.To distinguish themselves,men of letters from the Jiangnan area were personally engaged in the design of their travel items.Their design captured the distinctive local cultural profoundness and richness and subsequently began the aesthetic trend of travel item design.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2017年第3期137-145,共9页
Journal of Southeast University(Philosophy and Social Science)
基金
国家社科基金项目"江南地区古今游具的设计美学研究"(12BZX087)成果之一
