摘要
文章以烟山专太郎的《近世无政府主义》、梁启超的《近世第一女杰罗兰夫人传》为参照,考辨出小说《东欧女豪杰》的主人公苏菲亚的生成寄寓了作者罗普对新女性的想象与设计。作者探讨了女性主体的养成——教育、女性的自我认同、女性与家、国之间的复杂关联。罗普的女性设计从属于他的政治想象。苏菲亚的变形以及她所置身的小说世界,已经背离了俄国虚无党无政府主义的历史语境,寄托了作者罗普更为强烈的启蒙意图。
This paper compares LUO Pu＇s An Eastern European Heroine with Yan Shan Zhuan Tai Lang＇s Modern Anarchism and Liang Qichao＇s The Biography of Modern Heroine Madame Roland, and finds similarly that the depiction of Sophia,the leading character in the former expresses the author, LUO Pu＇s imagination and design of new modern female＇s experiences, especially in their search of educa- tion, identity and their complex relationships with the family and the nation. LUO Pu＇s portrait of Sophia follows his political conception. The transformation of Sophia and the fictional world she is situated in, both of which are detached from the historical and anarchical con- text of Russian nihilists,reveals the author＇s strong enlightenment intention.
出处
《妇女研究论丛》
CSSCI
北大核心
2017年第3期58-65,共8页
Journal of Chinese Women＇s Studies
关键词
互文
女性主体
家国
启蒙
intertextuality
female subjectivity
family and nation
enlightenment
