摘要
司马迁论司马相如赋是以"风谏"立义。"风谏"主要是传达讯息,由读者"推显至隐",与东周"赋诗言志"的传统以及汉代"铺陈其事以直言之"的"六义"之赋有相承和相似之处,而与后世所谓"不敢直言""微言婉词"的"讽谏"内涵不相涉。从"风谏"到"讽谏"的变化,反映了汉代赋学批评从偏重劝谏的内容和目的到偏重其技巧和效果的变化。"风"在汉代有"风教""风谏""委婉""风兴"等意义,而后世赋学批评中的"风"义也在这几个含义中辗转纠缠。风义的流转,反映了赋学观念的时代变迁。
Sima Qian thought Sima Xiangru＇s fu were about fengjian about transmitting messages, leaving readers to ＂make the explicit become implicit＂, which is similar to ＂composing fu to express feelings＂ in the Eastern Zhou Dynasty and ＂description in different perspectives＂ of ＂liuyi＂ while it has nothing to do with the connotation of the ＂euphemism.＂ And the change from fengjian to remonstration reflected the changes of fu criticism in Han Dynasty from the content and purpose of remonstration to its techniques and effects. The word ＂feng＂ has diverse meanings, including ＂civilization＂, ＂persuasion＂, ＂euphemism＂ and ＂xing＂, which reflect the change of ideas in the criticism category of fu.
出处
《安徽师范大学学报（社会科学版）》
CSSCI
北大核心
2017年第3期307-315,共9页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
国家社科基金青年项目(1340)
安徽师范大学博士科研启动基金项目(751606)
关键词
风谏
讽谏
风兴
赋
变迁
fengjian
feng＇jian
fengxing
fu
evolution
