摘要
八大山人的绘画继承了传统文人画的精髓,同时又挣脱了传统的束缚,打通了笔墨传承与个性觉醒之间的屏障,具有突出的"反现实主义"特征:一是以浪漫主义、魏晋风度等传统精神释义"反现实主义",二是"无法之法立于一画"。八大山人创造了一种在抽象画领域才出现的纯粹的观念感,画面形式却又恰到好处的在文人画范畴之内。这种矛盾性,为八大山人的艺术带来了更深刻的蕴涵、更多样的趣味性。
the painting of Badashanren inherited the essence of traditional literati painting. At the same time, it got rid of traditional shackles and got through the barrier between the painting inherit and the individuality awakening, having the strong ＂anti- realism＂ features： one was to paraphrase the ＂anti-realism＂ with romanticism and the traditional spirit of Wei-Jin style. The other was to ＂paint with no law in a painting＂, creating a pure sense of ideology which only appeared in the abstract paintings. The picture form was just perfect within the literati painting category. This kind of contradiction brought more profound and interesting implication for Badashanren＇s art.
出处
《江西科技师范大学学报》
2017年第2期103-108,共6页
Journal of Jiangxi Science & Technology Normal University
基金
2013年江西科技师范大学年度一般项目(人文社科)立项课题"论八大山人绘画中的‘浪漫’色彩"(项目编号:300098010637)研究成果
主持人:王安娜
关键词
八大山人
反现实主义
文人画
Badashanren
anti-realism
literati painting
