摘要
时间是人类最为切近的生命体验,也是中外古今文学作品表现的重要母题。在叙事理论研究中,包括中国传统的叙事研究在内,对于叙事类作品,尤其是叙事虚构作品的时间表现,已有了长足的进展,而对抒情诗歌时间表现的探讨,则涉足甚少。从跨文类叙事学研究的视野,可以透视抒情诗的叙述时间。抒情诗存在着可与叙事文本类比的"事件",并展现出时间性与序列性,只不过是以与叙事文本有所不同的方式表现出来。以叙事理论时间分析的时序、时长、频率三重关系作为入口,可以勾勒抒情诗叙述时间表现的基本状况,这种状况在中外抒情诗中普遍存在。对这一内在的叙述时间关系的揭示,将有益于对抒情诗歌的理解和鉴赏,也可以在相互参照中进一步思考叙事文本的时间表现。
As the most tangible human life experience, time is an important motif in ancient and modem Chinese and foreign literature. In narrative theoretical research, including traditional Chinese narra- tive research, time presentation in narrative works, especially in fictional narratives, has been much studied. However, little study has been done on the presentation of time in lyric poetry. The narrative time in lyric poetry can be detected from the perspective of transgenerlc narratology. Some ＂events＂ in lyric poet- ry are comparable to those in narrative texts. These events show temporality and sequentiality, only they are presented in a different way from those in narrative texts. An analysis of order, duration and frequency based on narrative theories will lead to a basic outline of the presentation of narrative time in lyric poetry. Such an outline is applicable to both Chinese and foreign lyric poetry. The inner relationship revealed by the outline between lyric poetry and narrative texts will not only improve understanding and appreciation of lyric poetry but also provide valuable reference for further research in the temporal presentation in narrative texts.
出处
《思想战线》
CSSCI
北大核心
2017年第3期111-121,共11页
Thinking
基金
国家社会科学基金项目“诗歌叙事学研究”阶段性成果(14XZW004)
关键词
抒情诗
叙述时间
时序
时长
频率
lyric poetry, narrative time, order, duration, frequency
