摘要
俄籍犹太人音乐家夏理柯(Harry Ore)于20世纪上半叶在港澳生活期间,以澳门本土音乐素材创作的中国粤乐风味钢琴曲,或者明确地以澳门作为题材的作品,其创作思维方式和相应技术手段令人注目。文章所探讨的两首乐曲,风格上一中一西,相映成趣。前者采用澳门相关素材,也是广东音乐或汉族民间音乐钢琴曲改编的先声;后者运用澳门相关题材,某种意义上吻合了澳门这个中西文化交萃、华洋人群共居的社会文化形态,以合适的素材和题材,表达合适的意境和形象,不仅反映出夏理柯写作钢琴作品的才能,更反映出他对澳门社会形态、对澳门音乐文化风格的深入了解。
Russian-Jewish musician Harry Ore was living in Hong Kong and Macao during the first half of the 20^(th)century. He composed notable piano works with the musical materials learned in Macao or with the titles of Macao. This article analyzes his two pieces,one engages Macao music material and another about Macao,which reflect Ore' s musical talent as well as his understanding of Macaosociety and musical style.
出处
《星海音乐学院学报》
CSSCI
2017年第2期85-97,共13页
Journal of Xinghai Conservatory of Music
基金
澳门理工学院研究项目"澳门本土钢琴作品探究"(RP/ESA-02/2016)
