摘要
近代美学把美定义为"感觉的完美性",从而把审美经验当作了美学的第一主题,取消了美学的存在论基础。未来美学最重要的观念变革是从"感觉的完美性"向"存在的完美性"的过渡,这意味着回归向古代美学的存在论基础。柏拉图关于感性世界与理性世界的二元论是对美学和艺术的最重要的存在论奠基,指出了在感性世界之上还有一层更高、更真实、更完美的理性世界存在,以此规定了美学的基本论域:美是存在本身的完美性,美学的基本问题是可见之美与不可见之美的关系问题,艺术的本质是可见之美对不可见之美的象征。
As modern Aesthetics defined beauty as 'the perfection of feeling',people considered aesthetic experience as the first theme of Aesthetics and abolished the ontological foundation for Aesthetics.The most important conceptual innovation of Aesthetics in the future will be the transition from 'the perfection of feeling' to 'the perfection of existence ',which means a return to the ontological base of ancient Aesthetics.Plato ' s dualism on the perceptual world and rational world laid the most significant ontological foundation for Aesthetics and Art and indicated that there is a higher,more realistic,more prefect rational world above the perceptual world,through which it marked out a basic field of Aesthetics that '.Beauty is essentially the perfection of existence.The basic problem of Aesthetics is actually the problem of the relationship between visible beauty and invisible beauty.And the nature of Art is the symbol of visible beauty to invisible beauty.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2017年第3期139-146,207,共8页
Jilin University Journal Social Sciences Edition
基金
国家社会科学基金重点项目(13AZD028)
国家社会科学基金重大项目(15ZDB002)
关键词
美学
艺术
存在论
存在的完美性
aesthetics
art
ontology
the perfection of existence
