摘要
抗战时期的电影文化在分流中出现断裂趋向。大后方的电影期刊应势而生,扎根于当时中国电影的本土语境之中,成为承接中国电影艺术历史演进中的必要一环。深重的民族灾难,严酷的军事对抗,使得大后方电影期刊负载着抗战文化宣教、民族情感排遣等多重诉求,成为战时国家政略和战略需要的舆论工具,具有强烈的战争工具属性与文化宣教属性,与同一时期的商业性电影期刊划开了明确界限。复杂的成长背景,为其多重底色的形成做了最为有力的注脚。围绕文化救亡这一主题,抗战大后方电影期刊显现出工具性、民族性、现代性等多种特征,其经营也呈现出使命化色彩。大后方电影期刊在极度艰难的情况下,以主导之姿引导社会价值与民众认知,对当前的期刊出版具有重要的借鉴价值。
In Anti-Japan War, the film culture presented the broken trends. The film magazines in the rear area of Anti- Japan War appeared, which took root among native contexts of Chinese film at that time, and became the necessary hnk to continue the history of Chinese film. The serious national disaster and the rigorous mihtary confrontation made the film magazines undertake multiple demands such as education and culture propaganda, national emotion releasing, and became a kind of instrument about pubhc opinions on national strategic needs in wartime. They had serious characters in the means of war tools and cultural propaganda, and cleared the definite boundaries from the commercial film journals during the same period. Their complex background was the most powerful footnotes for the formation of the multiple ground colors. Surrounding the cultural salvation theme, the film magazines in the rear area of Anti-Japan War emerged the characters in instrumental, nationality and modernity, and their management presented the mission of color. In the case of extremely difficult situation, the film magazines guided the social value and pubhc cognition. It has the important reference value to the current periodicals pubhshed.
出处
《编辑之友》
CSSCI
北大核心
2017年第5期104-108,共5页
Editorial Friend
基金
重庆市社科规划培育项目"抗战时期陪都电影期刊研究"(2015PY54)
关键词
抗战大后方
电影期刊
文化救亡
全能主义政治
rear area of Anti-Japanese War
film magazine
cultural salvation
totalitarian politics
