期刊文献+

论新媒体艺术中身体叙事特征 被引量:1

Physical Narrative Characteristics in New Media Art
下载PDF
导出
摘要 伴随着计算机和虚拟技术的快速发展,身体作为艺术的表达媒介越来越为艺术家所重视。以身体进行叙事的表达形式经历了从最初的原始萌发到压抑遮掩再到自由放纵,体现了艺术家对于传统审美艺术理念的反抗,以及自身欲望和艺术意识形态的表达。计算机互动技术和虚拟影像技术的成熟使得身体突破了生物学的疆界,可以帮助艺术家随意地表达自我诉求和意识。 Along with the rapid development of computer and virtual technology, artists pay more and more attention to taking bodies as the medium of art expression. This form of physical narrative expression has experienced from the initial raw germination to suppressed cover then to liberal indulgence which embodies artists' revolt against the traditional aesthetic ideas, as well as the expression of their own desires and artistic ideology. Nowadays, the maturity of computer interactive technology and virtual image technology bodies broke through the boundary of biology, and can held artists freely express self reouirements and consciouseness.
作者 苏志岩
出处 《黑河学院学报》 2017年第2期201-202,共2页 Journal of Heihe University
关键词 新媒体 艺术媒介 身体叙事 new media artistic medium physical narrate
  • 相关文献

参考文献2

二级参考文献11

  • 1See SCHOLES,R.and KAIN,R.M.The Workshop of Daedalus:James Joyce and the Raw Materials for"A Portrait of the Artist as a Young Man"[C],Northwestern University Press,1965;NICHOLS,A.The Poetics of Epiphany:Nineteenth-century Origins of the Modern Literary Movement[M],University of Alabama Press,1987. 被引量:1
  • 2DERRIDA,J.The Ghost Dance.An Interview with Jacques Derrida by Mark Lewis and Andreas Payne[A],Trans.JEAN-LUC SVOBODA,Public,2,1989. 被引量:1
  • 3BACHELARD,G.The Poetics of Space[M],Trans.JOLAS,M.Boston,Beacon Press,1964. 被引量:1
  • 4FITTING,P.The Lessons of Cyberpunk In C.Penley and A.Ross (Eds.),Technoculture:Cultural Politics[J]Vol.3.Minneapolis,University of Minnesota Press,1991. 被引量:1
  • 5HALL,S.The Question of Cultural Identity,In Moderity and its Future[C],edited by STUART HALL,DAVID HELD and ANTHONY MCGREW,Open University Press,1992.Also see On postmodernism and articulation:An interview with Sturat Hall,ed.LAWRENCE GROSSBERG,from Journal of Communication Inquiry[J]1986,10(2);and STUART HALL Cultural Studies:two paradigms,In Media,Culture & Society:a critical reader[C],London:Sage,1986. 被引量:1
  • 6The Critical Art Ensemble.The Electronic Disturbance[C],Brooklyn,NY:Autonomedia,New Autonomy Series,1994. 被引量:1
  • 7BENJAMIN,W.Theses on the Philosophy of History,in Illuminations[C],Trans.HARRY ZOHN ,Edited and with an introduction by HANNAH ARENDT,Pimlico,London,1999. 被引量:1
  • 8See BAUDRILLARD,J.The Ecstasy of Communication[M],New York:Semiotext(e),1988. 被引量:1
  • 9VIRILIO,P.The Aesthetics of Disappearance[M],Trans.BEITCHMAN,P.Brooklyn,NY:Autonomedia,Semiotext(e) Books,1991. 被引量:1
  • 10MARCUSE,H.One-Dimensional Man[M],Boston,MA:Beacon Press,1964. 被引量:1

共引文献61

同被引文献1

引证文献1

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部