摘要
早期左翼文学中的"革命+恋爱"叙事模式蕴涵着丰富的历史内涵。男性书写模式中对"新女性"的设定再次成为建构意识形态的工具。以白薇为代表的左翼女性叙述主体在以身体为阵地的话语表达中,因对革命和爱情双重怀疑而具有了政治意味。对主流意识形态有所保留的不同发声既显示了对革命合理性的认同又表现出对革命伦理的反抗。在这个意义上,左翼女性的性别书写以特有的方式加入了对"中国现代性"道路的追寻。
The narrative pattern of ＂revolution ＋ love＂ in the early left-wing literature contains rich historical con- notations. The setting of ＂new women＂ in the male writing mode has become the tool of constructing ideology again. It has the political meaning because of the doubts about revolution and love. When the narrative subjects of revolutionary female express their own words in body writings, the representative is Bai Wei. There are different voices of reservation to the mainstream ideology： on the one hand, it shows the rebellion against the body ethics and the revolutionary ethics. On the other hand, it shows the rationality of the revolution to express the identification to revolution by describing the dilemma in the history of paradox. In this sense, the revolutionary woman gender writing is joining the ＂Chinese moder- nity＂ pursuit in a unique way.
出处
《沈阳师范大学学报（社会科学版）》
2017年第2期102-105,共4页
Journal of Shenyang Normal University(Social Science Edition)
关键词
左翼文学
“革命+恋爱”叙事模式
白薇
女性文学
left-wing literature
the narrative pattern of ＂revolution ＋ love＂
Bai Wei
feminine literature
