摘要
周作人20世纪30年代创造的"文抄公"体是对章太炎文学复古思想的复归。章太炎的考据之文培养了周氏作文的求真精神,他提倡小学以达到文学复古的思想又使周氏注重修辞的精确与朴质,这两点构成了周作人的文抄公"体"的主要特征;周氏把章氏的儒家人本主义言说表述为"人情物理"一语,作为"文抄公"体写作的核心价值;"文抄公"体继承了《新方言》借助方言考察中国社会、生活、文化变迁史的民间立场,将民俗作为写作的内容主体。对两者关系的考察显示了中国现代文学与晚清文学复古之间复杂而深刻的联系。
The Plagiarist style created by Zhou Zuoren in the 1930!s is the inheritance of renaissance led by Zhang Taiyan. Zhang1 s textual research articles cultivate Zhou 1 s spirit of pursuit of truth, and Zhou forms one style of accurate and simple writing words because he accepts Zhang!s thoughts of renaissance through advocating linguistics. These are the main characteristics of the Plagiarist style. Truth and Humanity are the core values of the Plagiarist style,which comes from Zhang!s thoughts of Confucian humanism. Zhou＇s Plagiarist style inherits Zhang1 s folk position in New Dialect which studies the Chinese society, life and culture through investigating dialects,and puts the folk as the main content. Research about the relations between renaissance and Plagiarist style shows the complex and profound relations between modern Chinese literature and renaissance in the late Qing Dynasty.
出处
《中国石油大学学报（社会科学版）》
2017年第2期72-77,共6页
Journal of China University of Petroleum (Edition of Social Sciences)
