摘要
"女扮男装"的题材颇受戏剧家的关注,剧作家从女性角度让笔下的女主角以"假男人、真女人"的身份混入上层社会,通过乔装解决社会给女性带来的各种困难。本文以女扮男装为核心,通过比较《威尼斯商人》中的鲍西娅与《女状元辞凰得凤》中黄崇嘏的相似性与不同,阐释女扮男装的深层原因,女性由于受时代环境、作家思想、舞台艺术等因素的影响通过乔装来解决自身面临的困难,同时也反映了新思想下的新女性形象:大胆追求自由,渴望与男性拥有平等的地位,进一步说明女性思想的新觉醒。
The subject of ＂women disguised as men＂ is adored by dramatists. The role created by dramatist drift around in the upper-class society solving all sorts of problem the society brings to women. The paper, centered on ＂women disguised as men＂, explains the root cause of women disguised as men through comparing the similarities and differences of Portia in The Merchant of Venice and Huang Chonggu in Nv Zhuang Yuan Ci Huang De Feng. Women, affected by environments, author＇ s thoughts, stage art, etc. , resorted to disguising as men to solve their difficulties, reflecting the new woman image out of new ideas： pursuit of freedom and desire of equal status with men, and awakening of feminism.
出处
《湖北第二师范学院学报》
2017年第1期19-23,共5页
Journal of Hubei University of Education
关键词
女扮男装
鲍西娅
黄崇嘏
women disguised as men
Portia
Huang Conggu
