摘要
新世纪以来,随着女性主体意识的建构与擢升,谍战片试图借助立体化、多元化的女性形象,适应社会思潮的持续革新与观众日益变化的审美需求,却也不可避免地陷入"主体沦落"的消费陷阱之中。谍战片的女性形象被建构为视觉奇观和欲望消费的象征符码,沦为"无根魅影"。探究这一现象的成因,对于当下国产电影类型拓展与质量提升大有裨益。
Ever since the year 2000, vivid female images with many-faceted characters have been depicted in spy movies and TV series to cater to the aesthetic need of the audiences, shedding light on the endeavor to construct female subject consciousness. However, female images have all along been shaped in such ways as to be construed as eye candies and signals of desires, with innate subjectivity lost and becoming shallow phantoms. It is constructive to expansion of Chinese movie genres and improvement of the industry to probe the causes of this situation.
出处
《艺术探索》
2017年第2期124-128,共5页
Arts Exploration
关键词
谍战片
女性形象
市场消费
民族想象
Spy Movies and TV Series, Female Images, Audiences, National Anticipation
