摘要
作家在遭遇困厄或精神压抑不得伸展时,常会借著书立说、吟咏词章来抒志遣怀,从而形成中国文学史上一种常见的文学创作现象——"发愤著述"。这种创作是理想与现实碰撞、理智与情感交锋的精神文化产物,表面看是作家发愤后的情绪宣泄,而其本质都是沿着"艺术触发"开始的文学创作过程,是一种带着痛苦的艺术收获。从孔子的"诗可以怨",到屈原的"发愤以抒情"、司马迁的"发愤著书"说、刘勰的"蓄愤"说、钟嵘的"怨愤"说、韩愈的"不平则鸣"说、李贽的"发愤之所作"说等,都可被称为"发愤著述"文学观。关于"发愤著述"文学创作的核心论题,可集中归结于"大抵贤圣发愤之所为作"的文学观和"赋到沧桑句便工"的创作论,它们分别从理论和实践两个角度印证了"发愤著述"易于写就伟大、优秀的作品的创作规律。
When writers are deeply distressed or very angry in their lives, they trend to express their un - fulfilled ambitions and desires by writing poetry and literatures, which formed a special phenomenon called ＂writing due to anguish＂ in Chinese literature history. These literatures are the spiritual and cultural products of collision between the ideality and reality, sense and sensibility. In surface, this phenomenon is a kind of emotional explosion after writing with anguish. Virtually, this is an ＂ art - triggered ＂ creative process, an art harvest derived from deeply distress. From Confucius ＂ Poem could complain＂ to Qu - yuan＇s ＂ express with angry＂ , from Si maqian＇s ＂wrath writing＂ to Liu -xieg ＂ store anguish＂ , because of unfair＂ , to Li - zhi＇s ＂writing due to desperation＂ , etc to Zhong- rong＇s ＂ complain from anguish＂ , to Han -yu＇s ＂ writing The central and final conclusion of ＂writing due to anguish＂ concentrated on that only when those great authors are deeply distressed and at their edge of explosion of anger, they burst out their complete potential and write out their great masterpieces. Theoretically and practically, it is confirmed that ＂ writing due to anguish＂ is a creative rule for writers, the masterpieces normally generated from their author＇s un - controlled anguish.
出处
《南阳理工学院学报》
2017年第1期66-72,共7页
Journal of Nanyang Institute of Technology
关键词
中国古代
发愤著述文学
发展与品鉴
ancient China
writing due to anguish in Chinese
the development and appreciation
