摘要
本文在陶器纹饰类型学分析的基础上,对成都平原史前文化陶器纹饰进行分期,揭示其早晚变化规律,结果显示纹饰分期同以器物群和器物形态为主要依据进行的文化分期之间并不同步,在一定程度上表现为纹饰变化的滞后性。这一差异表明纹饰在文化的传承上更具有保守性,更能反映文化间的传承关系。在此认识的基础上,对宝墩文化四期遗存的文化归属、成都平原史前文化的渊源等问题做了相关的讨论。
This paper divides decorative motifs of prehistoric pottery into several phases through typological study, reveals that their changes were slower than those of vessels shape from the same period. Its difference suggests that decorative motifs tend to be more conservative continuity. Moreover, based on this archaeological discovery, this paper further discusses cultural affiliation of Phase Ⅳ of the Baodun＇s Remains so as to trace its origin of prehistoric culture of Chengdu Plain.
出处
《江汉考古》
CSSCI
北大核心
2017年第1期42-56,共15页
Jianghan Archaeology
基金
国家社科基金重大招标项目"西南地区冶金遗址调查与研究"(15ZDB056)子课题三的阶段性成果之一
关键词
成都平原
史前文化
陶器纹饰
分期
the Chengdu Plain, prehistoric culture, decorative motifs on pottery wares, periodization
