摘要
建筑在一座城镇具有较为显眼和公众的体量,也是当地的民族、风俗、审美等人类生活内在的外现,建筑彩画是一座建筑外在色彩的体现。河湟地区各民族迁徙杂居的历史,是该地区文化面貌不可回避的现实,因此当下对建筑彩画的保护和绘制过程中,应该遵循这一历史规律,尊重当地人群业已形成的生活习俗和审美习惯,从而将物质遗产与非物质文化转化为当地的文化资源,使其健康发展。
Architecture in a city has a more conspicuous and public volume, also express outwardly the local human life such as nation, custom and aesthetic, the architecture decoration painting reflects the color of buildings. Since an inevitable fact is that the current culture in this region is historically affected by the national exchange and mixture. So during the protection and reparation of architecture decoration painting process, this history should be considered, and the living and aesthetic habits formed in the locals should be respected, only based on this regulation, physical heritage and nonmaterial culture can be converted into the local culture resource and keeps sound development.
出处
《内蒙古大学艺术学院学报》
2017年第1期109-115,共7页
Journal of Art College of Inner Mongolia University
基金
2015年教育部人文社科规划项目"藏汉交流中的甘青建筑彩画图像研究"(项目编号:15YJAZH077)阶段性研究成果
关键词
地方式
建筑彩画
保护
Local style
The architecture decoration painting
Protection
