摘要
河州贤孝是流行于古河州地区,由汉族盲艺人表演、三弦伴奏的民间口头说唱艺术形式。唱腔以骨干音重复、围绕和乐句顿构、高起低落为主要特点;多个唱腔曲牌和器乐曲牌连缀构成为一个完整的说唱文本;伴奏常采用"唱中助奏"、"句尾填充"和"段尾拓展"三种方式。贤孝在政权意志传递和民众生活调剂中首先担负的是宣教功能然后是愉悦功能及其他。在活态存续与传承创新中一是要剔除传统中残留的封建"愚孝色彩",二是发挥教化功能以使不被现实中庸俗化、娱乐化的倾向所替代。
Hezhou Xianxiao, popular in the ancient Hezhou area, is an oral art played by the blinds of the Han nationality with the accompaniment of three-stringed instruments. The aria is characterized by the repetition and encompassment of key notes, cadence and ups and downs of musical phrases. Various tune names of aria and musical instruments constitute a complete text for saying and singing. The accompaniment often adopt three ways： playing in singing, filling the ends of sentences, extending the ends of paragraphs. In the transmission of the will of the authority and the adjustment of the mass life, the primary function of Xianxiao is to publicize and educate rather than to entertain. The feudal ideology of “foolish filial piety” retained should be eliminated in the preserve of the live forms and in the inheritance and innovation of Hezhou Xianxiao. Besides, its function of education should be exerted so that it will not be replace by the tendency of vulgarization and entertainment.
出处
《内蒙古大学艺术学院学报》
2017年第1期36-43,共8页
Journal of Art College of Inner Mongolia University
关键词
河州贤孝
题材内容
语言唱词
唱腔形态
曲牌伴奏
社会功能
现状展望
Hezhou Xianxiao
theme language
libretto language
accompaniment of tune name
social functions
status quo and prospect
